Cello fuzz for aggressive and/or odd band

Portland OR

Description

I'm ready to jump back in after a 5 year hiatus. Not so interested in trying to form a band from scratch, again. Its my turn to join an already functioning band/collective. When possible I do enjoy playing 1 on 1 with a drummer. Also interested in doing soundtrack pieces as long as I am offered something more than the usual "but you'll get your name in the credits" (unless you're Jim Jarmusch or Werner Herzog). Bartering is always welcomed. My playing is not for the faint of heart as I don't play the cello like it was meant to be played (it eats moody comfort music alive). I play through a vintage Bigmuff & delay growling out of a vintage half stack. I like wall-of-sound face-melting crescendos, spastic (and quiet) intervals, hypnotizingly slow minimalism (see Primitive Man, Sunn 0))) )---with a solid collaborative sense of rhythm & negative space (i.e. when not to play). Endless jams are epic boredom as are noodling guitar solos. Odd instruments encouraged (who plays amplified junk these days?) but not a must. Lets write stuff that sticks like a goddamn grease fire & doesn't dissolve so easily afterwards. Oh yes, and I'm 50, but I ain't old yet. I like Primitive Man, Melvins, Sunn 0))), Dreamdecay, Nails, Lightning Bolt, Dry Cleaning, Half Japanese, Dwyer, Segall, The Birthday Party, Miles, Mothers of Invention, Moondog (the man, the myth, the unstoppable classical street musician with the viking helmet) Please, no loopsters, laptop rockers.