Paul Clark and Phil Keaggy at Aztec Shawnee Theater

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11119 Johnson Drive,Shawnee KS 66203

15 May, 2022

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Singer-songwriters Paul Clark and Phil Keaggy Paul Clark:Born in Kansas City, Paul grew up in a diversified environment. "My grandfather, the son of a German immigrant and a wild west pioneer, taught me the value of hard labor and the joy of building with my hands. My grandmother, a hearing-aid dependent, literature teacher, gave me a love for words and a spirit of compassion. My father, a trial attorney and tireless sports companion, showed me wisdom, knowledge, mercy, justice, and healthy competitiveness. Last, but not least, my mother, an interior designer, and constant cheerleader, pointed me to the canvas with its limitless colors and depth of field. Speaking of fields, while growing up, Paul's father had front row season ticket seats behind the visitor's dugout at the Kansas City A's baseball stadium, as well as midfield seats to the Kansas City Chiefs at Municipal Stadium. Watching big-league talent up close, especially Mickey Mantle and the Yankees, made it easier to dream stadium-sized dreams. "Ironically, in that same stadium, I sat nearly that close to the Beatles when they came to town. A few months earlier, I had witnessed the Fab-four on the Ed Sullivan Show. They were so vibrant and joyful. I thought to myself, "I want to be happy.........so, that's what I want to do. I purchased a Black Oyster Pearl Ludwig drum set like Ringo's and started a band with a couple of friends called the Kommotions." Unfortunately, commotion was the path of his mid-teens. The whirlpool of drugs and social rebellion nearly drowned him. Mercifully, in April of 1970, after his freshman year of college was cut short due to student unrest, Paul moved from Kansas to a primitive log cabin at 9,800 feet on the Continental Divide, in the Colorado Rocky Mountains. There, his life took a miraculous turn from commotion to devotion as he witnessed something far greater than what he had seen in those stadiums. " I was an18 year-old hippie, strong and independent, yet riddled with fear and hopelessness. Like so many disgruntled youth during the era of Vietnam and social unrest, I tried to find solace in God. An anemic denominational church experience, Transcendental Meditation, the Bghavad Gita, the Tibetan Book Of The Dead, grass, hash, opium, speed, and countless LSD trips left me empty. One day, at the Post Office, I received a box of books from my grandmother about Jesus Christ. I chose one and read it from cover to cover in one day. At the end of the book, I prayed a prayer to follow Jesus as his disciple. The next morning brought more than another pristine Rocky Mountain High. I remember waking up and sitting on my porch. Something had drastically changed. I felt deeply loved, so new, so clean, so forgiven, and unspeakably peaceful. I was also overwhelmed with thankfulness. Concurrently, songs began to pour out of me like the water in the river next to my cabin." Paul felt an immediate call on his life to sing a new song to the ends of the earth. With the stage as a pulpit, he sang his newly penned songs at the Narrow Gate Coffeehouse, a place he and his friends established to reach out to hippies shortly after his move to Denver in 1971. His local following thrust him into the now historical, "Jesus Movement", which in turn, led to national and international performances. Paul is recognized as one of the founding fathers of the Jesus Movement and the Contemporary Christian Music industry. During his 13 year association with Word Records in the 1970s and 1980s, Paul's songwriting, record producing, and avant-garde artistry placed him in the forefront along with artists like Phil Keaggy, 2nd Chapter of Acts, Love Song, Larry Norman, Andre Crouch, Honeytree, Keith Green, Randy Stonehill, Barry McGuire, and many others. Not resting on his laurels, Paul's life after CCM notoriety didn't slide into cruise control. Paul has continued his allegiance to proclaiming the gospel of Jesus Christ. Even though he has completed 17 solo recording projects, written over 400 songs, produced records for several artists, served as worship leader/pastor, as well as being an author and published photographer, Paul's voyage presses on. He has traveled hundreds of thousands of miles on several continents, still fueled by the joy of the Lord. "Over the years, I've performed at churches so small that my family nearly outnumbered the congregation. In contrast, I've also performed at large festivals internationally. For three years I had the joy of serving on a Maranatha Worship Team that provided the music for the Promise Keepers Stadium Events, including the monumental, Stand In The Gap, Washington D.C. Event. Needless to say, it was quite a thrill to sing to a crowd of over 1 million people. That being said, I am mindful that first and foremost, I stand before an audience of One. I seek to pattern my calling to the model that He demonstrated. He spoke to large gatherings, yet, He always sought out the individual person one on one. I hunger to be led by the Holy Spirit. I feel blessed beyond words to have seen and experienced all that I have. I'm humbled that Jesus is still calling me to serve Him. Without a doubt, God uses broken vessels." After more than three decades of this minstrel's voyage, Paul has no intentions of dropping his anchor."I intend to keep my hand to the plow spreading the gospel of Jesus Christ. By His grace, I honor the past, embrace the present, and possess a living hope for the future. I want to finish strong in whatever path He chooses for me. Hardship to joy, the jewels are collected along the way, not, as some perceive, at the final destination. Once there, we will cast our jeweled crowns at the feet of Jesus. Before His throne, I will long to see His face and hear His loving voice say, "Well done thy good and faithful servant." "I believe God created us to glorify Him. If I can display His love and mercy, in spite of my weaknesses, then what greater cause could one hope to live for." Paul's hopes and goals are found in II Cor. 4:1-7 Phil Keaggy:Phil Keaggy is perhaps one of the most admired guitarists in music today. His fans range from those who aspire just to be able to play Keaggy's mistakes, to professional musicians who have been strongly influenced by his style. And in between are those who don't play guitar, yet find solace in his beautifully penned lyrics and memorable melodies. Phil's solo career has spanned more than 40 years and has included over 60 solo albums, both vocal and instrumental, 8 releases with his band, Glass Harp, as well as numerous duets and trio albums. One of the most sought-after studio guitarists, Phil also continues to sell out concerts all over the United States, with his ever-changing style, ranging from rock-and-roll to fully orchestrated instrumental compositions. Born on March 23, 1951, in Youngstown, OH, the ninth of ten children, Phil grew up in a home filled with music. On Phil's 10th birthday, his brother, Dave returned home with a Sears Silvertone guitar. That's when the magic began. Phil spent most of his younger days involved in music, and at the young age of 13, he joined his very first band, the Keytones. He later went on to join such local groups as The Vertices, The Squires, and the Volume Four, who later changed their name to New Hudson Exit. But it wasn't until 1970 when Phil's band Glass Harp (with childhood friend John Sferra on drums, and Dan Pecchio on bass) recorded their self-titled first album that people really began to take notice of this incredibly gifted guitar player. Glass Harp gained more popularity in the Ohio area, opening for such bands as the Kinks and Yes, and even performing at the prestigious Carnegie Hall in New York City. Over the next few years, they recorded two more albums entitled "Synergy" and "It Makes Me Glad". By 1972, Phil saw his life going in a different direction, and made the tough decision to leave Glass Harp and pursue a solo career. His first solo album, "What A Day", was recorded in just a week's time during January 1973. He married his sweetheart Bernadette that summer, and the following year, they moved to Upstate New York and joined a Church community called Love Inn. During his years there, Phil took a break from recording his own music. It wasn't until three years later in 1976 that Phil would record his second solo album, "Love Broke Thru", which was soon followed by a string of albums, including the acclaimed instrumental album, "The Master And The Musician". With the Christian Music industry really beginning to grow, Phil won his very first Dove award in 1988 for his instrumental album, “The Wind and the Wheat. Phil's second Dove Award came in 1992 for his Celtic-influenced, "Beyond Nature". Each year from 1998 to 2001, Phil has dominated the "Instrumental Record" category at the Doves, winning for "Invention", "Acoustic Sketches", "Majesty and Wonder", and most recently "Lights of Madrid". For three years in a row, Phil was voted one of the top fingerstyle guitarists by Guitar Player Magazine readers. These days, Phil Keaggy continues to delight audiences all over the US performing primarily acoustic shows, and occasional concerts with a band. He is aware that God gave him a calling to deliver the Gospel through his music, and for over 40 years, Phil Keaggy has been grateful to do just that, and will hopefully continue to do so for many years to come. Doors open at 5:00pm and show starts at 6:00pmTickets are $30.00 plus fees and tax or $35 plus tax at the door the night of the showAZTEC SHAWNEE THEATER HAS A FULL BAR

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