Dorian Wood’s Canto de Todes (Song of Everyone) is a 12-hour composition and installation, making its worldwide debut at REDCAT. Inspired by a lyric of the late Chilean singer and songwriter Violeta Parra, the Creative Capital-awarded project emphasizes the urgency of folk music as a vessel for social change. A genre-defying canon of songs arriving as a long-durational spatial experience, the work is divided into three movements. The first and third movements are hour long chamber pieces influenced by folk, popular, and experimental music. The second movement is a 10-hour pre-recorded piece unfolding throughout multiple spaces within REDCAT. Canto de Todes upends the expectation of the rigidness often associated with witnessing chamber music performances by offering a welcoming space that allows for individuals to project their personal, communal joys, and traumas. It is a collaborative work with local artists who have historically been marginalized due to their nationality, race, or othered identity. Collaborators include Carmina Escobar, Roco Córdova and Alexander Noice on guitar.
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